Mnet 'Street World Fighter: Director's War' (hereafter "SDP") is showing the true capabilities of a "performance director" by producing overwhelming performances reminiscent of movies, shows and drama one after another.
The "last run" aired last episode showed not only large-scale performances that mobilize many dancers but also exactly how a choreographer's choices, judgments and leadership change the completeness of a work. From directing skills that utilize props, lighting and space to the judgment to quickly resolve variables that occur on site, to the leadership that leads many dancers as one team, entirely different results were born under the same conditions, and SDP's distinctive fun began to shine in earnest.
The battle between Simeez and Renan was a representative stage that showed what differences different directing methods can create. Simeez made full use of large props and movements from various genres to complete an overwhelming visual reminiscent of the movie "Avatar." Shim Jae-won also presented such an intense stage that he said it felt like watching a Las Vegas show, capturing attention.
Renan faced an unexpected crisis during the preparation of the work but quickly revised the strategy centered on team members who trusted and followed her. Rather than focusing on high-difficulty moves, she concentrated on clear and flashy movements and restructured the work to maximize each dancer's strengths. Through on-site rehearsals she immediately corrected problematic staging to raise completeness, and with a strong intro starting with collective knee walking and Jamie's exploits traversing the first and second floors, she completed explosive energy.
In the battle between Back Kooyoung and Kasper, delicate details derived from rich on-site experience stood out. Back Kooyoung not only had dancers directly check backstage and stairs and other actual stage movements but also meticulously inspected variables that could occur on site. By checking stage managers and lighting in detail and creating the work as if operating a real venue, he demonstrated the strength of a veteran director.
Kasper also led a reversal by completing a stage that felt like watching a concert through directing that actively used lighting and a dynamic composition. From blackout timing to silhouette lighting and spotlights, he maximized the stage's three-dimensionality by using various lighting devices. After the broadcast, stories spread that Kasper himself went into the lighting room on the American talk show "The Jennifer Hudson Show" where Taemin appeared, and praise continued for his extraordinary detail and directing skills.
In the battle between Minjun Jeong and Hash, the role of the "director" also became clear. If Hash completed a high-density work by leading with a deep theme, high-level technique and meticulously calculated formations and directing, Minjun Jeong resolved difficulties experienced while matching breaths with new dancers with sincere leadership.
Minjun Jeong approached dancers during every break to check their condition, gave them heartfelt letters and shared feelings with team members. He grew into a director whom dancers could trust and rely on, not simply someone who gave choreography instructions. As a result, he created a stage like a drama with solid synchronicity and energy and delicate details fully alive.
In this way, SDP is offering new enjoyment by highlighting not only the flashy performances but also the choreographers' judgments and leadership revealed in the process of completing a work. As the episodes accumulate, the fun of watching shifts from "who dances better" to "who creates a better work."
And the "last run" is not over yet. On the broadcast on Sep. 1 (Tue), the remaining matches of Baby Zoo and Nain, and Bada and Ingyoo will be revealed. Since the four who decided victory and defeat in the earlier "signature choreography contest" are now facing off again with directing capabilities to design the entire work, attention is focused on whether another reversal will unfold.
In particular, attention is focused on whether Bada, who had given her representative work "Smoke" to Ingyoo, can avenge herself in a directing battle where she is responsible for the entire work. It is also a key viewing point to see what contrasting artistic worlds Baby Zoo and Nain, who are leading the next-generation performance scene, will show each other. The question of who will ultimately put their name on the final "director credit" in the remaining "last run" is drawing keen interest.
[Photo] Provided by Meet
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