A public proposal? Actress Kang Ye-won was found to have very strong romantic luck.
Recently, a video titled "Kang Ye-won thoroughly shaken by writer Baek Mi-kyung" was released on Kang Ye-won's YouTube channel 'Kkang Ye-won'.
In the video, Kang Ye-won invited her close friend, writer Baek Mi-kyung, as a guest and talked with her. Baek Mi-kyung, who produced numerous hits such as The Lady in Dignity and Strong Woman Do Bong‑soon, discussed various topics including how to become a drama writer, how to get inspiration for works, and her convictions about actors, and proved they were real friends with their bickering chemistry.
When asked how to become a drama writer, Baek Mi-kyung said, "It's a profession that least requires academic background, looks and connections. You start as an assistant writer or debut through contests, and I became a writer by winning a contest," and suddenly brought up saju. Baek Mi-kyung, who said she has a saju of being unaided, said, "It seems I won contests several times because it's a saju where you have to do things alone without help from others."
Baek Mi-kyung said, "For Strong Woman Do Bong‑soon, I was passing by an elementary school where someone tried to hit a boy with a baseball, but the boy dodged it and looked wronged. I wondered what it would be like if a small child had great strength, and that fleeting moment became the opportunity to write Strong Woman Do Bong‑soon," and added, "a writer does not have time to empty out."
In particular, when asked how she feels seeing actors who do not follow the script, Baek Mi-kyung said, "Originally the genre was comedy, so you can't follow the script. Ad-libs run rampant, and you talk with the director. Genres like The Lady in Dignity went exactly by the script without a single word changed. To be candid, a good actor follows the script. They have the ability to act according to the writer's intent. I think it's the actor's ability rather than respect for the writer."
When asked whether she would revise the script if ratings were at rock bottom, Baek Mi-kyung said, "Of course. I think it's right to change it to meet the customer's needs. A writer's conviction? Well. In the capitalist era what can I say. I sold all my Samsung Electronics stock two years ago, so it needs to be changed. Do whatever it takes to fix it, even bring the dead back to life to get out of low ratings." Baek Mi-kyung also revealed that she receives manuscript fees in the hundreds of millions of won per episode.
While bickering about what they bought each other, Baek Mi-kyung said, "Kang Ye-won's saju has a lot of fire, and in a byeong-o year she could collapse on the street. She should be careful. It's a year with many incidents that make her suddenly angry and lash out," adding, "this year's saju is good. I looked closely at the saju; she won't die but will suffer. Because it's a byeong-o year, she'll generally suffer. After getting through this period, her eyes as an actress will deepen and she'll be much better." To this, Kang Ye-won replied, "We have to endure it, don't we? Not everything can always be good."
The conversation moved into a full discussion of saju and fate. Baek Mi-kyung explained, "There are really many men around Kang Ye-won. Looking at her romantic luck, a truly powerful connection will come. Fire appears in the day pillar, so the compatibility is strong; it's a powerful romantic fortune. It's not a jeonggwan but a pyeonggwan, so it seems bad men will come in."
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